“John Laskaris’s Modality Schema”, Ἐπιστημονικὴ Ἐπετηρὶς τῆς Φιλοσοφικῆς Σχολῆς τοῦ Πανεπιστημίου Ἀθηνῶν ΜΔ’ (2013-2020), 13-50
Ἰδιαίτερο ἐνδιαφέρον παρουσιάζει ἡ συνοπτική θεωρητικὴ συγγραφὴ Ἰωάννου τοῦ [...]
7
11, 2020
1
07, 2020
῾Πτυχὲς μιᾶς «μουσικολογικῆς ρητορείας»: ἕνας μοναδικὸς μουσικο-υμνογραφικὸς συνδυασμὸς σὲ πολυέλεο γιὰ τὰ Θεοφάνεια’, Ἀπόστολος Τίτος 44 (2020), 239-278
῾Πτυχὲς μιᾶς «μουσικολογικῆς ρητορείας»: ἕνας μοναδικὸς μουσικο-υμνογραφικὸς συνδυασμὸς σὲ [...]
10
09, 2018
-
‘Is Polyphony hidden into Byzantine Monophony?’, The Eight International Symposium on Traditional Polyphony, 26-30 September 2016 Tbilisi, Georgia, Proceedings, Edited by: Rusudan Tsurtsumia & Joseph Jordania, Tbilisi, Georgia 2018: Ministry of Culture and Monument Protection of Georgia – Tbilisi State Conservatoire, pp. 459-469 Gallery
‘Is Polyphony hidden into Byzantine Monophony?’, The Eight International Symposium on Traditional Polyphony, 26-30 September 2016 Tbilisi, Georgia, Proceedings, Edited by: Rusudan Tsurtsumia & Joseph Jordania, Tbilisi, Georgia 2018: Ministry of Culture and Monument Protection of Georgia – Tbilisi State Conservatoire, pp. 459-469
While everybody knows what either “Polyphony” or “Monophony” means, [...]
10
09, 2017
-
‘A new reading of John Laskaris’ Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’ Theoretical Treatise’, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84 Gallery
‘A new reading of John Laskaris’ Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’ Theoretical Treatise’, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84
John Laskaris’ short Treatise on Byzantine Music Theory is [...]
1
01, 2016
«”…κενόσπουδα συντάγματα…”. Διερεύνηση τῶν αἰτίων καταδίκης τῆς … “λεσβιακῆς δυσμουσίας”», ἀνάτυπο ἀπὸ τὰ Πρακτικὰ Συνεδρίου Κωνσταντῖνος Οἰκονόμος ὁ ἐξ Οἰκονόμων. 150 χρόνια ἀπὸ τὴν κοίμησή του (1857-2007), Ἀθήνα 2016, σσ. 493-513
Ἡ παρούσα ἀνακοίνωση σχετίζεται μὲ μίαν ἑτοιμαζόμενη ἐκτενέστερη μελέτη γύρω [...]
10
01, 2015
“Τhe Sense of ‘Pleasure’ in Eastern Chant”, Human and Social Studies 4:1 (2015), pp. 119-138
It is taken for granted that Music plays a primary [...]
8
01, 2015
«Ἡ Βυζαντινὴ Μουσικὴ ὡς “Τabula Rasa” ἢ Ποιά (θὰ ἔπρεπε νὰ εἶναι) ἡ «γλῶσσα» τῆς Βυζαντινῆς Μουσικῆς;», Μουσικολογία. Περιοδικὴ Ἔκδοση Μουσικῆς Θεωρίας καὶ Πράξης:Μουσικὴ καὶ Γλῶσσα 22/15 (2015), σσ. 176-189
Καθώς το μείζον ποσοστό της γραπτής και προφορικής παράδοσης [...]
1
01, 2015
-
“Illustrating Melodies: Iconographical Instructions in Byzantine Music Theory and Practice”, Church Music and Icons: Windows to Heaven. Proceedings of the Fifth International Conference on Orthodox Church Music. University of Eastern Finland, Joensuu, Finland, 3-9 June 2013, (Finland) 2015, pp.138-152 Gallery
“Illustrating Melodies: Iconographical Instructions in Byzantine Music Theory and Practice”, Church Music and Icons: Windows to Heaven. Proceedings of the Fifth International Conference on Orthodox Church Music. University of Eastern Finland, Joensuu, Finland, 3-9 June 2013, (Finland) 2015, pp.138-152
The idea of illustrating melodies it’s a given in Byzantine [...]
10
01, 2014
“Musical Freedom and Ecclesiastical Rules at the Ecumenical Patriarchate of Constantinople during the 18th century”, Ἀνατολῆς τὸ Περιήχημα 1 (2014), σσ. 87-129
From the beginning of 18th century the “fever” of interpretation [...]
1
01, 2014
“Byzantine Music as ‘Tabula Rasa’ or Which should be the ‘Language’ of Byzantine Music”, Music Identities on Paper and Screen, Belgrade 2014, pp. 362-375
As the major proportion of written and oral tradition [...]