«Ποντιακό μουσικολαογραφικό υλικό στο περιοδικό “Χρονικά του Πόντου”», Ἀρχεῖον Πόντου 61 (2021), 191-270
Αχιλλεύς Γ. Χαλδαιάκης, «Ποντιακό μουσικολαογραφικό υλικό στο περιοδικό “Χρονικά [...]
3
07, 2021
30
01, 2021
“Reflections of Ecclesiastical Policy in Sacred Music: The Case of Patriarch Athanasios V”, in Ivan Moody & Ivana Medić (eds.), Orthodoxy, Music, Politics and Art in Russia and Eastern Europe, London: Centre for Russian Music, Goldsmiths, University of London – Belgrade: Institute of Musicology, Serbian Academy of Sciences and Arts, 2020, pp. 17-57 Gallery
“Reflections of Ecclesiastical Policy in Sacred Music: The Case of Patriarch Athanasios V”, in Ivan Moody & Ivana Medić (eds.), Orthodoxy, Music, Politics and Art in Russia and Eastern Europe, London: Centre for Russian Music, Goldsmiths, University of London – Belgrade: Institute of Musicology, Serbian Academy of Sciences and Arts, 2020, pp. 17-57
"Reflections of Ecclesiastical Policy in Sacred Music: The Case [...]
7
11, 2020
“John Laskaris’s Modality Schema”, Ἐπιστημονικὴ Ἐπετηρὶς τῆς Φιλοσοφικῆς Σχολῆς τοῦ Πανεπιστημίου Ἀθηνῶν 44 (2013-2020), 13-50
Ἰδιαίτερο ἐνδιαφέρον παρουσιάζει ἡ συνοπτική θεωρητικὴ συγγραφὴ Ἰωάννου τοῦ [...]
1
07, 2020
῾Πτυχὲς μιᾶς «μουσικολογικῆς ρητορείας»: ἕνας μοναδικὸς μουσικο-υμνογραφικὸς συνδυασμὸς σὲ πολυέλεο γιὰ τὰ Θεοφάνεια’, Ἀπόστολος Τίτος 44 (2020), 239-278
῾Πτυχὲς μιᾶς «μουσικολογικῆς ρητορείας»: ἕνας μοναδικὸς μουσικο-υμνογραφικὸς συνδυασμὸς σὲ [...]
15
09, 2018
Jixia Academy and Plato’s Academy – Chinese and Greek Classical Civilizations Summit Forum, China 15-16 September 2018
Συμμετείχα με ανακοίνωση, υπό τον τίτλο: Plato’s Influences in [...]
10
09, 2018
‘Is Polyphony hidden into Byzantine Monophony?’, The Eight International Symposium on Traditional Polyphony, 26-30 September 2016 Tbilisi, Georgia, Proceedings, Edited by: Rusudan Tsurtsumia & Joseph Jordania, Tbilisi, Georgia 2018: Ministry of Culture and Monument Protection of Georgia – Tbilisi State Conservatoire, pp. 459-469 Gallery
‘Is Polyphony hidden into Byzantine Monophony?’, The Eight International Symposium on Traditional Polyphony, 26-30 September 2016 Tbilisi, Georgia, Proceedings, Edited by: Rusudan Tsurtsumia & Joseph Jordania, Tbilisi, Georgia 2018: Ministry of Culture and Monument Protection of Georgia – Tbilisi State Conservatoire, pp. 459-469
While everybody knows what either “Polyphony” or “Monophony” means, [...]
10
09, 2017
“A new reading of John Laskaris’s Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’s Theoretical Treatise”, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84 Gallery
“A new reading of John Laskaris’s Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’s Theoretical Treatise”, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84
John Laskaris’s short Treatise on Byzantine Music Theory is [...]
1
01, 2016
«”…κενόσπουδα συντάγματα…”. Διερεύνηση τῶν αἰτίων καταδίκης τῆς … “λεσβιακῆς δυσμουσίας”», ἀνάτυπο ἀπὸ τὰ Πρακτικὰ Συνεδρίου Κωνσταντῖνος Οἰκονόμος ὁ ἐξ Οἰκονόμων. 150 χρόνια ἀπὸ τὴν κοίμησή του (1857-2007), Ἀθήνα 2016, σσ. 493-513
Ἡ παρούσα ἀνακοίνωση σχετίζεται μὲ μίαν ἑτοιμαζόμενη ἐκτενέστερη μελέτη γύρω [...]
10
01, 2015
“Τhe Sense of ‘Pleasure’ in Eastern Chant”, Human and Social Studies 4:1 (2015), pp. 119-138
It is taken for granted that Music plays a primary [...]
8
01, 2015
«Ἡ Βυζαντινὴ Μουσικὴ ὡς “Τabula Rasa” ἢ Ποιά (θὰ ἔπρεπε νὰ εἶναι) ἡ «γλῶσσα» τῆς Βυζαντινῆς Μουσικῆς;», Μουσικολογία. Περιοδικὴ Ἔκδοση Μουσικῆς Θεωρίας καὶ Πράξης:Μουσικὴ καὶ Γλῶσσα 22/15 (2015), σσ. 176-189
Καθώς το μείζον ποσοστό της γραπτής και προφορικής παράδοσης [...]