Chaldæakes, A., Loupas, S. & Chaldæaki, E. (2021). Historico-musicological Aspects of K. A. Psachos’s Archive. Musicologist, 5 (2), 187-239
Chaldæakes, A., Loupas, S. & Chaldæaki, E. (2021). Historico-musicological [...]
7
01, 2022
13
12, 2021
“Νεομεθοδικὲς συνθετικὲς πρακτικές: ἰδέα, διαμόρφωση καὶ ἐπέκεινα προοπτικές”, ΕΕΦΣΠΑ 45 (2020-2021), 9-47
"Νεομεθοδικὲς συνθετικὲς πρακτικές: ἰδέα, διαμόρφωση καὶ ἐπέκεινα προοπτικές", ΕΕΦΣΠΑ [...]
7
10, 2021
Άρθρο στην εφημερίδα ΝΑΥΤΕΜΠΟΡΙΚΗ, για την παράσταση της όπερας Μάρκος Μπότσαρης (Βεάκειο Θέατρο Πειραιά 7/10/2021 ~ Aula ΦΛΣ 22/10/2021)
Άρθρο για την παράσταση της όπερας Μάρκος Μπότσαρης (Βεάκειο [...]
23
07, 2021
30
01, 2021
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“Reflections of Ecclesiastical Policy in Sacred Music: The Case of Patriarch Athanasios V”, in Ivan Moody & Ivana Medić (eds.), Orthodoxy, Music, Politics and Art in Russia and Eastern Europe, London: Centre for Russian Music, Goldsmiths, University of London – Belgrade: Institute of Musicology, Serbian Academy of Sciences and Arts, 2020, pp. 17-57 Gallery
“Reflections of Ecclesiastical Policy in Sacred Music: The Case of Patriarch Athanasios V”, in Ivan Moody & Ivana Medić (eds.), Orthodoxy, Music, Politics and Art in Russia and Eastern Europe, London: Centre for Russian Music, Goldsmiths, University of London – Belgrade: Institute of Musicology, Serbian Academy of Sciences and Arts, 2020, pp. 17-57
"Reflections of Ecclesiastical Policy in Sacred Music: The Case [...]
7
11, 2020
“John Laskaris’s Modality Schema”, Ἐπιστημονικὴ Ἐπετηρὶς τῆς Φιλοσοφικῆς Σχολῆς τοῦ Πανεπιστημίου Ἀθηνῶν ΜΔ’ (2013-2020), 13-50
Ἰδιαίτερο ἐνδιαφέρον παρουσιάζει ἡ συνοπτική θεωρητικὴ συγγραφὴ Ἰωάννου τοῦ [...]
1
07, 2020
῾Πτυχὲς μιᾶς «μουσικολογικῆς ρητορείας»: ἕνας μοναδικὸς μουσικο-υμνογραφικὸς συνδυασμὸς σὲ πολυέλεο γιὰ τὰ Θεοφάνεια’, Ἀπόστολος Τίτος 44 (2020), 239-278
῾Πτυχὲς μιᾶς «μουσικολογικῆς ρητορείας»: ἕνας μοναδικὸς μουσικο-υμνογραφικὸς συνδυασμὸς σὲ [...]
10
09, 2018
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‘Is Polyphony hidden into Byzantine Monophony?’, The Eight International Symposium on Traditional Polyphony, 26-30 September 2016 Tbilisi, Georgia, Proceedings, Edited by: Rusudan Tsurtsumia & Joseph Jordania, Tbilisi, Georgia 2018: Ministry of Culture and Monument Protection of Georgia – Tbilisi State Conservatoire, pp. 459-469 Gallery
‘Is Polyphony hidden into Byzantine Monophony?’, The Eight International Symposium on Traditional Polyphony, 26-30 September 2016 Tbilisi, Georgia, Proceedings, Edited by: Rusudan Tsurtsumia & Joseph Jordania, Tbilisi, Georgia 2018: Ministry of Culture and Monument Protection of Georgia – Tbilisi State Conservatoire, pp. 459-469
While everybody knows what either “Polyphony” or “Monophony” means, [...]
10
09, 2017
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“A new reading of John Laskaris’s Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’s Theoretical Treatise”, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84 Gallery
“A new reading of John Laskaris’s Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’s Theoretical Treatise”, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84
John Laskaris’s short Treatise on Byzantine Music Theory is [...]
10
01, 2015
“Τhe Sense of ‘Pleasure’ in Eastern Chant”, Human and Social Studies 4:1 (2015), pp. 119-138
It is taken for granted that Music plays a primary [...]