Chaldæakes, A., Loupas, S. & Chaldæaki, E. (2021). Historico-musicological Aspects of K. A. Psachos’s Archive. Musicologist, 5 (2), 187-239
Chaldæakes, A., Loupas, S. & Chaldæaki, E. (2021). Historico-musicological [...]
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01, 2022
23
07, 2021
30
01, 2021
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“Reflections of Ecclesiastical Policy in Sacred Music: The Case of Patriarch Athanasios V”, in Ivan Moody & Ivana Medić (eds.), Orthodoxy, Music, Politics and Art in Russia and Eastern Europe, London: Centre for Russian Music, Goldsmiths, University of London – Belgrade: Institute of Musicology, Serbian Academy of Sciences and Arts, 2020, pp. 17-57 Gallery
“Reflections of Ecclesiastical Policy in Sacred Music: The Case of Patriarch Athanasios V”, in Ivan Moody & Ivana Medić (eds.), Orthodoxy, Music, Politics and Art in Russia and Eastern Europe, London: Centre for Russian Music, Goldsmiths, University of London – Belgrade: Institute of Musicology, Serbian Academy of Sciences and Arts, 2020, pp. 17-57
"Reflections of Ecclesiastical Policy in Sacred Music: The Case [...]
7
11, 2020
“John Laskaris’s Modality Schema”, Ἐπιστημονικὴ Ἐπετηρὶς τῆς Φιλοσοφικῆς Σχολῆς τοῦ Πανεπιστημίου Ἀθηνῶν ΜΔ’ (2013-2020), 13-50
Ἰδιαίτερο ἐνδιαφέρον παρουσιάζει ἡ συνοπτική θεωρητικὴ συγγραφὴ Ἰωάννου τοῦ [...]
10
09, 2018
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‘Is Polyphony hidden into Byzantine Monophony?’, The Eight International Symposium on Traditional Polyphony, 26-30 September 2016 Tbilisi, Georgia, Proceedings, Edited by: Rusudan Tsurtsumia & Joseph Jordania, Tbilisi, Georgia 2018: Ministry of Culture and Monument Protection of Georgia – Tbilisi State Conservatoire, pp. 459-469 Gallery
‘Is Polyphony hidden into Byzantine Monophony?’, The Eight International Symposium on Traditional Polyphony, 26-30 September 2016 Tbilisi, Georgia, Proceedings, Edited by: Rusudan Tsurtsumia & Joseph Jordania, Tbilisi, Georgia 2018: Ministry of Culture and Monument Protection of Georgia – Tbilisi State Conservatoire, pp. 459-469
While everybody knows what either “Polyphony” or “Monophony” means, [...]
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09, 2017
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“A new reading of John Laskaris’s Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’s Theoretical Treatise”, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84 Gallery
“A new reading of John Laskaris’s Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’s Theoretical Treatise”, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84
John Laskaris’s short Treatise on Byzantine Music Theory is [...]
10
01, 2015
“Τhe Sense of ‘Pleasure’ in Eastern Chant”, Human and Social Studies 4:1 (2015), pp. 119-138
It is taken for granted that Music plays a primary [...]
1
01, 2015
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“Illustrating Melodies: Iconographical Instructions in Byzantine Music Theory and Practice”, Church Music and Icons: Windows to Heaven. Proceedings of the Fifth International Conference on Orthodox Church Music. University of Eastern Finland, Joensuu, Finland, 3-9 June 2013, (Finland) 2015, pp.138-152 Gallery
“Illustrating Melodies: Iconographical Instructions in Byzantine Music Theory and Practice”, Church Music and Icons: Windows to Heaven. Proceedings of the Fifth International Conference on Orthodox Church Music. University of Eastern Finland, Joensuu, Finland, 3-9 June 2013, (Finland) 2015, pp.138-152
The idea of illustrating melodies it’s a given in Byzantine [...]
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01, 2014
“Musical Freedom and Ecclesiastical Rules at the Ecumenical Patriarchate of Constantinople during the 18th century”, Ἀνατολῆς τὸ Περιήχημα 1 (2014), σσ. 87-129
From the beginning of 18th century the “fever” of interpretation [...]
1
01, 2014
“Byzantine Music as ‘Tabula Rasa’ or Which should be the ‘Language’ of Byzantine Music”, Music Identities on Paper and Screen, Belgrade 2014, pp. 362-375
As the major proportion of written and oral tradition [...]