“John Laskaris’s Modality Schema”, Ἐπιστημονικὴ Ἐπετηρὶς τῆς Φιλοσοφικῆς Σχολῆς τοῦ Πανεπιστημίου Ἀθηνῶν ΜΔ’ (2013-2020), 13-50
Ἰδιαίτερο ἐνδιαφέρον παρουσιάζει ἡ συνοπτική θεωρητικὴ συγγραφὴ Ἰωάννου τοῦ [...]
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11, 2020
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09, 2017
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‘A new reading of John Laskaris’ Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’ Theoretical Treatise’, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84 Gallery
‘A new reading of John Laskaris’ Explanation and Modulation of the Musical Art: Towards a Critical Edition of Laskaris’ Theoretical Treatise’, Aspects of Christian Culture in Byzantium and Eastern Christianity. Word, Sound and Image in the Context of Liturgical and Christian Symbolism, Edited by: Vesna Sara Peno and Ivan Moody, Belgrade 2017: Publications of the Institute of Musicology of the Serbian Academy of Sciences and Arts – Publications of the International Society for Orthodox Church Music no. 8, pp. 55-84
John Laskaris’ short Treatise on Byzantine Music Theory is [...]
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01, 2015
“Τhe Sense of ‘Pleasure’ in Eastern Chant”, Human and Social Studies 4:1 (2015), pp. 119-138
It is taken for granted that Music plays a primary [...]
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01, 2015
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“Illustrating Melodies: Iconographical Instructions in Byzantine Music Theory and Practice”, Church Music and Icons: Windows to Heaven. Proceedings of the Fifth International Conference on Orthodox Church Music. University of Eastern Finland, Joensuu, Finland, 3-9 June 2013, (Finland) 2015, pp.138-152 Gallery
“Illustrating Melodies: Iconographical Instructions in Byzantine Music Theory and Practice”, Church Music and Icons: Windows to Heaven. Proceedings of the Fifth International Conference on Orthodox Church Music. University of Eastern Finland, Joensuu, Finland, 3-9 June 2013, (Finland) 2015, pp.138-152
The idea of illustrating melodies it’s a given in Byzantine [...]
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01, 2014
“Musical Freedom and Ecclesiastical Rules at the Ecumenical Patriarchate of Constantinople during the 18th century”, Ἀνατολῆς τὸ Περιήχημα 1 (2014), σσ. 87-129
From the beginning of 18th century the “fever” of interpretation [...]
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01, 2014
“Byzantine Music as ‘Tabula Rasa’ or Which should be the ‘Language’ of Byzantine Music”, Music Identities on Paper and Screen, Belgrade 2014, pp. 362-375
As the major proportion of written and oral tradition [...]
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09, 2013
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01, 2013
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“The story of a composition or ‘Adventures’ of written melodies, during the Byzantine and post-Byzantine era”, Tradition and Innovation in Late-and Postbyzantine Liturgical Chant II. Proceedings of the Congress held at Hernen Castle, the Netherlands, 30 October-3 November 2008, Peeters- Leuven 2013, pp. 261-289 Gallery
“The story of a composition or ‘Adventures’ of written melodies, during the Byzantine and post-Byzantine era”, Tradition and Innovation in Late-and Postbyzantine Liturgical Chant II. Proceedings of the Congress held at Hernen Castle, the Netherlands, 30 October-3 November 2008, Peeters- Leuven 2013, pp. 261-289
The story of a composition (the story of any [...]
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01, 2013
“Singing antiphonally: Unity or Variety?”, Unity and Variety in Orthodox Music: Theory and Practice. Proceedings of the Fourth International Conference on Orthodox Church Music. University of Eastern Finland, Joensuu, Finland, 6-12 June 2011, (Finland) 2013, pp. 139-163
The antiphony technique, according to which sacral music is interpreted [...]
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01, 2012
“The Greek-speaking Instruction of the Psaltic Art. Past, Present and Future”, Μusicology Today 12 (October-December 2012), pp. 173-196
There are, undoubtedly, questions raised about the way psaltic art [...]