“Byzantine Music as ‘Tabula Rasa’ or Which should be the ‘Language’ of Byzantine Music”, Music Identities on Paper and Screen, Belgrade 2014, pp. 362-375
As the major proportion of written and oral tradition [...]
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01, 2014
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09, 2013
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01, 2013
“The story of a composition or ‘Adventures’ of written melodies, during the Byzantine and post-Byzantine era”, Tradition and Innovation in Late-and Postbyzantine Liturgical Chant II. Proceedings of the Congress held at Hernen Castle, the Netherlands, 30 October-3 November 2008, Peeters- Leuven 2013, pp. 261-289 Gallery
“The story of a composition or ‘Adventures’ of written melodies, during the Byzantine and post-Byzantine era”, Tradition and Innovation in Late-and Postbyzantine Liturgical Chant II. Proceedings of the Congress held at Hernen Castle, the Netherlands, 30 October-3 November 2008, Peeters- Leuven 2013, pp. 261-289
The story of a composition (the story of any [...]
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01, 2013
“Singing antiphonally: Unity or Variety?”, Unity and Variety in Orthodox Music: Theory and Practice. Proceedings of the Fourth International Conference on Orthodox Church Music. University of Eastern Finland, Joensuu, Finland, 6-12 June 2011, (Finland) 2013, pp. 139-163
The antiphony technique, according to which sacral music is interpreted [...]
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01, 2013
«Συγχύσεις ὁμωνύμων Ἁγιορειτῶν μουσικῶν: Ἡ περίπτωση τῶν Δαμασκηνῶν», Συμβολὴ στὴ μνήμη Γεωργίου Ἀμαργιανάκη (1936-2003). Μελέτες καὶ κείμενα συναδέλφων καὶ μαθητῶν του, Ἐθνικὸ καὶ Καποδιστριακὸ Πανεπιστήμιο Ἀθηνῶν-Τμῆμα Μουσικῶν Σπουδῶν, ‘Αθήνα 2013, σσ. 129-159
Ἡ μελέτη εἶναι πρωτότυπη καὶ ἐξαιρετικὰ ἐνδιαφέρουσα, καθὼς γιὰ πρώτη [...]
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01, 2012
“The Greek-speaking Instruction of the Psaltic Art. Past, Present and Future”, Μusicology Today 12 (October-December 2012), pp. 173-196
There are, undoubtedly, questions raised about the way psaltic art [...]
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01, 2012
(with Anastasia Georgaki) “ Visual Aspects of Byzantine Music Modes: Exploring the “Ethos” of Byzantine Melopoeia through Acoustic Analysis”, Lithuanian Academy of Music and Treatre-Lithuanian Composers’ Union, 12th International Music Theory Conference; Vilnius, October 16-19, 2012; Principles of Music Composing: Links between Music and Visual Arts, Vilnius 2012, pp. 54-61 Gallery
(with Anastasia Georgaki) “ Visual Aspects of Byzantine Music Modes: Exploring the “Ethos” of Byzantine Melopoeia through Acoustic Analysis”, Lithuanian Academy of Music and Treatre-Lithuanian Composers’ Union, 12th International Music Theory Conference; Vilnius, October 16-19, 2012; Principles of Music Composing: Links between Music and Visual Arts, Vilnius 2012, pp. 54-61
It is known –from Chrysanthos’ Great Theory of Music– that [...]
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01, 2011
“Yet another contributor to the exegesis’ issue: GEORGIOS-EUTYCHIOS UGURLUS”, ГИМНОЛОГИЯ/Hymnology 6 (2011), 76-108
Ὁ Γεώργιος-Εὐτύχιος Οὐγουρλοῦς εἶναι μὲν (ἥκιστα) γνωστὸς ὡς μουσικός (ψάλτης [...]
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01, 2011
“The ‘woman figure’ in Byzantine Melopoeia”, Psaltike. Neue Studien zur Byzantinischen Musik: Festschrift für Gerda Wolfram, Herausgegeben von Nina-Maria Wanek, Wien 2011: Praesens Verlag, pp. 65-100
Τὸ παρὸν κείμενο ἀναφέρεται, γενικά, στὸν ρόλο τῶν γυναικῶν [...]
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01, 2011
